Note to bands: Dissection worship is a great way to get in my pants if I'm being difficult. Surpassed only by Mercyful Fate emulation, a straightforward representation of the Swedish melodic black metal juggernaut is almost guaranteed to leave me satisfied. Thulcandra understands the appealing structure, and has made running with its icy, forlorn atmosphere its main prerogative. As much as I find "Ascension Lost" alluring on the surface, the Dissectionisms and the reckonings paying homage to Unanimated, another melodic black metal legend, leave me feeling Thulcandra could have explored the depth of this style to a greater degree. Regardless, I still can't push "Ascension Lost" out in front of a bus in a querulous fit; this is decent work, by and large.Melodic black metal cooked under Dissection's secret blend of spices is an infallible recipe. Thulcandra's style takes the frozen tremolo picking and melodically-charged black metal riffs and drives them to a land forlorn. "The First Rebellion," "Deliverance in Sin and Death," "Demigod Imprisoned," and the title track take the standard of the sound to new horizons with outstanding sequences and lead guitar aesthetics that would have Jon Nödtveidt smiling from ear to ear. They are magnificent, ice-covered and desolate black metal hymns showing forceful command over this province. "Ascension Lost" is mostly frenetic, paced antagonistically. Blast beats and hectic drum patterns common in this dominion match guitar work that is not too far beyond the rudimentary concept of melodic black metal. Thulcandra is a child of Dissection; the veneration is undeniable.
I feel the band isn't pushing itself much to become more than just a reproduction of this style, but "Ascension Lost" hits the spot thanks to superb performances and Thulcandra's ability to capture the purity of this neglected, icy style perfectly. The obvious knowledge and passion within "Ascension Lost" is magnificent insofar as the magic is not frittered away after some superb riffing sections and black metal arrangements on "The First Rebellion." The shrieking vocals are fine, though small potatoes compared to the top-notch atmosphere and Thulcandra's splendid gallery of melodic black metal riffs. Sound quality isn't a big deal, either; modern and powerful for the sound, but lacking the raw punch of the masterpieces this subgenre offered in winters past.
A few tracks knock on the door of vapidity, and couldn't have missed the frozen gravity of Dissection's intricacy more if Thulcandra stuck its head in an oven for ten minutes. "The Second Fall" and "Throne of Will" utilize straightforward mid-paced riffs and tempos holding little to make them stand out, and even less to match the album's usually high quality. "Sorrow of the One" loses me a bit, too. Neither a proper reflection of "Ascension Lost" nor the others surrounding the few duds; just mediocre stacked up to the other songs. "Ascension Lost" usually feeds the polar beast craving the taste of a place where dead angels lie. Dissection worship of a high order that does its job and seldom settles for the sewers.