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Borrowed Time Review

by Matt Hensch

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Detroit gets a bad rep. Yeah the economy sucks and the Lions couldn't stop a ship from sinking if Matthew Stafford's arms were buckets, but it's my home and I'm quite enthusiastic about its metal scene, being a former native and semi-frequent visitor of the Motor City as I am. Nocturnal Fear, Halloween, and Sauron (Lansing, close enough) are awesome, but the rise of Borrowed Time has really solidified the excellence of this scene. Borrowed Time's debut album delivers the most authentic slab of traditional metal around, rooted deeply in the works of Manilla Road and Angel Witch with an Iron Maiden-ish twist—it far exceeds the limits of most modern heavy metal records that settle for sterile production jobs and lackluster songwriting. The whole "revivalist" tag has worn thin, but if there is one release that truly captures the flame and fire of the age of ago, it's this.

The album is a portrait of excellent heavy metal musicianship, no other way to put it. I'd say the texture of Borrowed Time's musical backbone incorporates a lot of the bold riffing styles of Manilla Road and Angel Witch's NWOBHM hue all coming together in a hearty blueprint of plentiful riffs and raw glory. Borrowed Time has pretty much everything going for it on the instrumental end, led by a superb singer and a tag team of guitarists who soak the metallic surrounding in world-class riffs. Jean-Pierre Abboud's vocal aesthetics are a prime fit for this kind of thing, as his performance matches the old-school phoenix wonderfully. It's somewhat difficult to find a comparison; he's a versatile bard. There are falsettos, high-flying wails, rougher chimes, soaring cries of the romantic variety, and—the most important factor of all—vocals with personality. He sounds like he's having a blast belting away, and it's hard not to enjoy.

While abundant, the many guitar leads color the musical schema rather than drowning Borrowed Time's efforts in needless soloing, and the sequential guitar parts are just stellar throughout—there's not one moment that deserves the recycling bin. One of the finer elements of the album is its production, which doesn't sound like a digital mess or waterlogged instruments slamming around incoherently. The record walks on a comfortable line, balancing between grit and grace. "Dawn for the Glory Rider" and the ripping "A Titan's Chain" stand out to me the most, but everything from the exotic "Of Nymph and Nihil" to the catchy "Libertine" gives me a promethean-grade stiffy. It delivers the goods in a strong, brazen swoop of metallic glory, easily one of 2013's finest.

Borrowed Time

Rating:9.0

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