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Saint Vitus - C.O.D. Review

by Matt Hensch

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"C.O.D." is the black sheep of Saint Vitus' discography and often considered the band's weakest moment from what I can tell. To be honest, this is actually a fairly decent product, miles away from a bed-sh*tting abomination like "Risk" or the like. There's no stylistic confusion or big identity issue going on here: "C.O.D." is all about the doom. The album is sort of difficult to swallow for two reasons: the vocals, and the production. The gentlemen of Saint Vitus brought in a bloke named Christian Linderson of Count Raven and others to sing on his first and last Saint Vitus full-length (Wino had been out of the band since 1991 at this point) while the fuzzy distortion of previous Saint Vitus offerings was replaced with a polished production job. Remarkably, "C.O.D." isn't as conflicted or mismanaged as it could've been. In fact, it's quite enjoyable.

Despite the changes going on around the group, most of "C.O.D." remains moderately consistent compared to what the band had released during the Wino years. Two noticeable differences are the surplus of quicker anthems and the lack of miserable beatings like "Dying Inside," although Saint Vitus is pretty much riding the doom train here. The group's sound simply feels like it had been mildly altered for Linderson's vocals and the clear production, but not for modernization or mainstream props. Dave Chandler's riffs still roast like brisket over a grill, and most of the tempos slowly hammer and crush onwards. The only thing "C.O.D." truly lacks, however, is a prime cut that rises above the rest. Some of its offerings are better than others, sure, but none are universally superb despite the stable consistency.

The fact that the twelve songs together clock out after an hour's running time without a true gem makes the record a little tedious towards its final moments. Needless to say, I could survive without "Bela" or one of its neighbors. Linderson, on the other hand, does a wonderful job filling the void left by Wino. His stylistic approach is reasonably similar to Wino's, and he in general delivers a filling performance within this garden of doom; he's a perfect example of a replacement vocalist who lives up to his or her predecessor's standards. The production, too, is a change of sorts; the thunderous drums and polished guitar tone are miles from the fuzzy characteristics of previous outings. It's an acceptable frontier, but it doesn't validate the total Saint Vitus experience.

And that is perfectly fine at the end of the day. Though I'm sure having a wonky sound quality and a new vocalist would derail the average band, Saint Vitus managed to avoid any artistic pitfalls and actually released a fairly enjoyable album. "C.O.D." remains a fine listen without moving forwards—it's more of a stationary piece than a progressive one. With that being said, Chandler and company delivered a gratifying collection of doom that remains honest to the Saint Vitus legacy. Obviously not an essential buy, but "C.O.D." has its glimmers of brilliance, and that cannot be said about most slumps. Even when the efforts of Saint Vitus aren't very good . . . they're still pretty good.

Saint Vitus - C.O.D.

Rating:7.5

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