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Be'lakor - Of Breath and Bone Review

by Matt Hensch

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Be'lakor is an alluring figure. If melodic death metal were a nuclear family, these Aussies would find themselves notched up to other successful groups within the sub-genre like Insominium, Dark Tranquillity, and Omnium Gathernum—they take a lot from these bands, in fact. Be'lakor began making waves back in 2007 and 2009 when they released "The Fragile Tide" and "Stone's Reach," respectively, to critical acclaim and oceans of praise, paving the way for the band's third album, "Of Breath and Bone." Without getting too bloated, this is pretty damn good. Be'lakor's style of melodic death metal is incredibly rich and dynamic, building each of its towering anthems (none lasting shorter than six minutes) with intricate layers of harmonized guitar work and song structures which run beyond the usual bargain-bin melodic death metal uniformity.

Simply put, Be'lakor and "Of Breath and Bone" are fantastic alternatives from the norm this habitat tends to offer. Be'lakor writes songs that are ridiculously complex and layered, boasting multitudes of melodies, harmonies, riffs, and transitions which reek of progressive influences crashing smoothly into Be'lakor's atmosphere within each piece. Although an approach like such often leaves a lot of repetition or redundancy, "Of Breath and Bone" doesn't have problems. The band tends to churn out many sections and chapters per song, yet everything comes with a sign of vitality: that what they're doing is necessary, and the album wouldn't feel as whole had certain parts been removed. In essence, a lot happens, and it's a long record, but there's a point to it all; not a lot of groups are ambitious and successful like Be'lakor.

They often spend time producing captivating lead guitar melodies hovering over rhythm sections before exploding into standard melodic death metal riffs and then evaporating into interludes that are soft, chilling, and introspective, perhaps. It's actually a fairly formulaic record at its core, although the whole configuration is, of course, boasting several worker bees per hive, so to speak. "Of Breath and Bone" is enjoyable throughout, but the final songs (especially "By Moon and Star") are equal parts mythic and harsh, making Be'lakor's sense of loss almost tangible—they are overall fantastic. The guttural vocals are sufficient, not quite reaching the level of ingenuity and elegance that most of the album preaches, but they are, as I said, sufficient; they do what they need to and nothing more.

Alas, Be'lakor has forged an album that feels like an ethereal journey through the depths of emotion, captured by the group's incredible ability to inject somber, emotional passages into the strident infrastructure of "Of Breath and Bone." The equation used has a lot of flexibility, and every track comes out with its own skin and mask, showing that this elongated support can justify the essence of Be'lakor. I personally find the record a remarkable changeup from the expected melodic death metal output; it's definitely more parallel to Opeth in spirit or Insominium than The Black Dahlia Murder clone #35345634632342323. A sudden oasis in an asphyxiating wasteland, "Of Breath and Bone" has summoned Be'lakor into the royal court of melodic death metal. It's a long way to the throne, but we all have to start somewhere, right?

Be'lakor - Of Breath and Bone

Rating:8.5

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