Well, you really can't, and there's actually a lot positives coming from the hammering penetration that Archgoat has mastered over the years. The overall mix is a toxic mixture of banging percussion (usually a mid-paced blast beat) drooling over super-basic black/death metal riffs reeking of Beherit-ish touches and sickening chimes of extreme metal in its embryonic stage. Variation appears minimal– the only true rebel is "Day of Clouds," which slowly smokes out unhurried notes in a punching rhythmic crunch that bites again and again. The vocals, too, are guttural and indecipherable chomps which stay unchanged; Archgoat is seldom praised for their extensive changes on the musical end in case you were wondering. It's overall a very simple and transparent effort mirroring the instrumentality of other primitive acts, but Archgoat remains charming for some reason that I really can't identify. Again and again I transpire from "Blessed Vulva" to "Passage to Millennial Darkness" with few complaints or criticisms.