To be honest, Omnium Gatherum's instrumental approach dubs quality that is not just enjoyable but simply ethereal. The riffing attack this group showcases focuses mainly on hearty melodies, smashing grooves, rich harmonies, and fantastic soloing only contributing just the right amount of shredding goodness. The bass and percussion, however, apply simplistic attributes that create Omnium Gatherum's majestic surrounding, dazzling in an air-based perimeter of heaviness and dynamism. I must say, this curious touch of atmospheric nutrition in Omnium Gatherum's melodic base is better than intelligent, or even fun for that matter; it is sensationally excellent all around, and brings new organisms to a realm some might label as dying.

As strange or ambivalent as it may sound, The Redshift can remain stuck in these situations while pumping entertaining rays with mighty harmonies during "No Breaking Points," or steady, catchy riffs that catch your attention and refuse to let go, like what "Nail" proudly demonstrates. Also, Jukka Pelkonen's voice falls in the spacey collision like his horoscope told him he would. With those nice, deep growls and clean chimes that actually fit into every musical pattern available, I would say he did a bang-up job. Obviously, the brains behind The Redshift are quite unbreakable once this hovering philosophy has taken its purest form, mainly throughout several numbers quoting a likeable balance between melody and atmosphere. It might seem kinda toxic, but that is what f*cks you up!