Doomsayers
Tour: Whitechapel- Emmure- Cephalic Carnage- Darkest Hour Review
by Mark Hensch
.
As far as concerts go this particular
show starts poorly. It is Monday, Feb. 25, and tonight at the Magic Stick
in Detroit a gathering of heavy metal's hottest young upstarts are rocking
the grungy club. Called the Doomsayers Tour, tonight's bill features Whitechapel,
Emmure, Cephalic Carnage, and headliners Darkest Hour.
There is no chance of seeing opening act
Whitechapel. The buzz-generating Knoxville, Tenn. act features six much-ballyhooed
newcomers into the death metal scene. Sadly, an aggravating mix of late
starts, prolonged classes, and traffic jams prevents any dissection of
the meteoric youngsters' stagecraft.
Following this unfortunate start are New
Fairfield, Conn.'s devastating Emmure. The quintet brings their A-game,
launching into a pulverizing mix of subtle melodies amidst slow-paced dirges
of soul-crushing sound. Frontman Frankie Palmeri is particularly animated,
leading confrontational sing-alongs which bring him face-to-face with the
100 or so fans on offer here tonight. Catchy but with an unmistakably thug
aura, the band hones their craft into synchronized machismo and outright
violence. The crowd returns the favor marvelously and awards the tough
guy posse with amble stage-dives and roaring sing-alongs.
The schizophrenic temper tantrums of Denver,
Colo.'s Cephalic Carnage prove much less entertaining. Always a confounding
variable in the world of heavy music, the band sacrifices none of their
inherent weirdness tonight. Nothing is kept sacred, with hints of everything
from flamenco to jazz to hardcore punk peeking out from underneath the
band's potent sonic attack. Though firmly rooted in their speedy grind
metal origins, Cephalic Carnage's set leaves many attendees scratching
their heads in bemusement. Highlights include the blistering sing-along
"Dying Will Be the Death of Me," the jittery lunacy of "Lucid Interval"
and the flaying groove of "Endless Cycle of Violence." Good but not great,
the band's unfocused nature perhaps makes for more intriguing albums and
less inspiring shows.
Washington D.C.'s Darkest Hour is last,
menacing the few remaining fans with their blend of shredding melodies
and upbeat death metal. For all their energy and talent, it is readily
apparent that this style of music is quickly losing steam. Even with the
recent release of new album "Deliver Us," Darkest Hour shows no major progression
in terms of their given formula. This lack of innovation hurts what would
otherwise be an interesting act---thousands of bands have been playing
melodic death metal for decades now, and it isn't getting any newer folks.
With all this in mind, Monday's show sinks
just below the golden standard of a good concert. Decent but unremarkable,
even the crowd seems a bit reserved. It is also shocking that a four band
lineup concludes at 10p.m. It deflates one a bit after seeing just how
unenergetic every band is tonight. Maybe next time someone will come out
swinging and make sure it doesn't happen again.
Links
Whitechapel
Emmure
Cephalic
Carnage
Darkest
Hour
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a friend about this review
.
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