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by Keavin Wiggins
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Let’s start with the premise that the genre
of “pop-punk” is really pretty limiting in what a band can do. With most
pop-punk groups the formula becomes redundant after a few songs, forget
about after a few albums. That being the rule, Riddlin’ Kids are one of
the few groups that prove to be the exception. Like the band Unwritten
Law, the Riddlin’ Kids go a long away towards providing this much derided
genre of music with some credibility. Punk purist will argue that the punk
designation in pop-punk is not justified but really upon closer examination
a group like Riddlin’ Kids sound like the pop evolution of the classic
work of the Ramones. Is there really much difference between Riddlin’ Kids’
“I Feel Fine” and the Ramones “The KKK Took My Girl Away”? Ok I hear the
flaming starting right about now, but take a listen to the two tracks and
you will hear what I am talking about.
Having said that, a more appropriate label
for this kind of music might be guitar driven angst-infused power-pop;
a combination that has proven irresistible to radio programmers and young
music fans. Blink-182 and even Lit have tried to tap into this but they
focused far too much on the pop and not enough on the guitar driven elements.
The Riddlin’ Kids do it right and unlike other bands in the pop-punk arena
they have a strong vocalist that doesn’t sound like he’s trying to be Billy
Joe from Green Day (who sounds like he needs to blow his nose). No, Clint
Baker can actually sing and isn’t afraid to show his talent. The songs
are strong in melody and power, maybe not powerful enough for the average
punk or metal fan but it’s not the wimp rock we have come to expect from
groups like Blink-182. They actually have a little of an 80’s powerpop
undercurrent to their style which is evident in a song like “See The Light”,
a surefire hit that really show us that the Riddlin’ Kids have that rare
and elusive talent that so many bands lack, strong songwriting skills.
Although, some of the songs sound a little too similar to each other, when
they explore different directions it works well. As for the angst part
else would you expect from a group called “Riddlin’ Kids”?
The story of how the Riddlin’ Kids got
from being a local Austin band, working at a Pizza parlor when not honing
their craft to their signing to a major label is the stuff that rock n
roll legends are made of. Since half the battle of getting noticed is to
actually get people to listen to the music, the band was smart enough to
combine the advantages of their day gig and their quest for music stardom
by bribing club owners with Pizzas to get them to listen to their demos.
The band was earnest in their attempt to get noticed, they managed to get
the local Austin alternative rock station KROX to spin their songs, even
though they didn’t have a record deal, something that is almost unheard
of in the radio business. With that exposure and gigging around town the
band caught the attention of the panelist at the Austin Music Awards who
named them “Best Alt/Rock Punk Band” in 2000. All of this combined with
a few locals performances on The Warped Tour in 1999 and 2001 as well as
opening slots for bands like New Found Glory, Fenix TX and the Ataris it
was only a matter of time before a label came along with a record deal.
Columbia Records knew a potential hit band when they heard it and beat
other labels to the punch by giving the Riddlin’ Kids their chance at the
big time.
They put their best face forward with their
Columbia debut “Hurry Up and Wait” making this one of the strongest debuts
from that label in a while. The whole punk-pop thing may have been a bit
overplayed at this point and has many detractors but The Riddlin’ Kids
bring something special to the much maligned genre. Now we have to wait
and see if Columbia can flex their musical muscle by making these guys
stars and carrying
the pop-punk genre to it’s next logical level. Even if that doesn’t
happen, those who happen to add “Hurry Up and Wait” to their CD collections
will have struck gold. But looking out on the shallowness of the modern
rock mainstream landscape I can’t help but hope that The Riddlin’ Kids
get the exposure they deserve because quite simply unlike most of today’s
best selling “rock” bands, these guys actually deliver the goods!
The CD
Riddlin’
Kids – Hurry Up and Wait
Label:Aware
/ Columbia Records
Release Date: Aug
6, 2002
Rating:
Tracks:
Crazy
Here We Go Again
See The Light
Blind
I Feel Fine
Nowhere to Run
Follow Through
Take
Tina
OK
Pick Up The Pieces
Faithful
Can’t Think
Wasted Away
It’s The End of the World As We Know It
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Listen
to samples and Purchase this CD online
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More
Visit
the band's official site for more info, news tour dates, multimedia and
more!
Listen
to samples and Purchase this CD online
Album Art Courtesy of Riddlin'
Kids and Columbia Records
All Rights Reserved
Keavin Wiggins is the founder
and Managing Editor of the iconoFAN Network
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