A Listen to Arizona’s Desert
Gin Blossoms, Greeley Estates,
Robert Keenan, Luca, Broken Poets, Tryfecta, Fracture Point, Casket Life,
Smoky Mountain Skullbusters Reviews
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Steamier than a gila monster's breathe.
Rock so hot that it cooks up omelets even without the sidewalk. Music that's
seen enough tequila sunrises to burn off its retinas; now they'll match
the liver…
Welcome to the first edition of Hot
in the City where I promise you that (with the exception of the purloined,
oh-too-clever column title) I will spare you the clichés that you
might expect about music from a desert city. The idea is merely to give
you a head's up on tunes that you may not otherwise hear about that all
happen to be crafted in a particular geographical area. Most of these little
insights will be about performers from the Phoenix and Tucson areas because
that's where the action is; thus, with apologies to Billy Idol, Hot
in the City. But anything from Arizona is fair game and this premiere
column runs the gamut from old friends the Gin Blossoms to newbies Tryfecta
with stops everywhere in between. So please enjoy and be sure to visit
the Web sites of any groups that strike your fancy. Oh, and Arizona musicians,
if you don't think this column stinks like week-old javelina road kill
(sorry) you are welcome to send in your stuff. Send a note to kingcat2-at
sign-msn.com and I'll hook you up with submission instructions. Now let's
listen…
GIN BLOSSOMS - Major Lodge Victory
Hybrid
After they sold a zillion records worldwide
and completed their run as David Letterman's pet band, the Gin Blossoms
decided to call it a day. But spin-off projects like the Gas Giants floundered
and these extremely talented musicians finally gave in to promoters' constant
cries for a Gin Blossoms reunion. So the sweet sounds of "Hey Jealousy"
and "Found Out about You" are once again wafting through concert venues.
Anyone who likes those songs should have no qualms about picking up a copy
of Major Lodge Victory as the disc is packed from start to finish
with quality jangle-pop full of hooky choruses that beg the listener to
sing along. Not that it's been that long, but singer Robin Wilson's instantly
recognizable voice seems to have improved with age and all of the back-up
vocals and harmonies are clear as a bell on highlights like "Learning the
Hard Way," the plaintive "Someday Soon" and the completely irresistible
"Heart Shaped Locket." www.ginblossoms.net
SMOKY MOUNTAIN SKULLBUSTERS - Yin
through the Yang Door
(Self Released)
If you were to believe their band biography,
the 'Busters are a bunch of near illiterate hillrods who just fell off
a hateful turnip truck from hell, with guitars. The fact is that this quartet
doesn't need the hype, just someplace to plug in. All the better if that
place sells ice cold suds by the wagonload because promoting the Friday
night dream is the Smoky Mountain Skullbusters' job. This is dive-bar,
party-til-ya-puke, I-hope-I-don't-get-in-a-fight-tonight rock'n'roll. But
the band leaves it to you to get sloppy; they'll have none of that. The
group shows finesse with an instrumental that frames six cuts between its
pieces---the ominous sounding bass and guitar showcase begins Yin
as "Smooth Undercover" and finishes the album as "Smooth Underkofler;"
both titles being a tribute to guitarist Dylan Underkofler as well as a
pun playing off his name. The cut seems to warn of what is to come: the
Sabbath-meets-Priest riffing of "Butcher," the rat-a-tat punk bluster of
"Return Policy" and the feral boogie of anthem "Born to Rock N Roll." So
yeah, the part about not being so good at readin' and writin' is a fib.
But you better believe the part about ass-kickin'. www.smokymountainskullbusters.net
GREELEY ESTATES - Far From the Lies
Record Collection
They're based in Phoenix but Greeley Estates
are true road dogs who have spent most of their four years of existence
gigging across the country, including spots on the last two Warped Tours.
The band's style is sort of a controlled schizophrenia where melodic alternative
rock meshes with metal-edged screamo in almost every song. But singer Ryan
Zimmerman really can sing---you don't have to hear the introspective, string-laden
"Secret" to realize that---his strong and emotive voice is what sets Greeley
Estates apart from the competition. Zimmerman manages to show his sensitive
side somewhere in every cut but he is also very busy issuing undecipherable
lyrics like an imp who just caught his tail (or other appendage) in the
elevator door. The rest of the band has very good chops and if they hold
steady to their work ethic there's no doubt that their audience will continue
to grow. Just don't plan on seeing them in Phoenix. www.greeleyestates.net
VARIOUS ARTISTS COMPILATION - Tales
from the Asphalt Dancefloor
Vodka Tonic
Put together by Vil Vodka of long-running
glam rockers Blanche Davidian, this six cut sampler is a great taste of
the Phoenix underground. Vodka has picked out appetite whetting tracks
from each group like "Boom Stomp Crash" from Sex for Cigarettes, a bit
of wild goofiness that would make Oingo Boingo proud. Digital Leather like
the '80s synth sound too and work in a Devo meets the B-52's vein on "Dance
Til Dead" while the Cutters are more onto a Thompson Twins groove for "f***
Pain." The disc moves away from keyboards for a moment as Billy Druid's
Atomic Gospel turn loose a barrage of fuzzy guitar for Dancefloor's
hardest hitting number, "Carpe Nocturne." All of these cuts are previously
unreleased (except for Digital Leather---out of print) and together they
are a potent hi-ball that perfectly represents the thriving scene for this
eccentric music. Of course, guitarist Vodka has included a cut from his
own band, Blanche Davidian in the form of "Petunia (Beyond Exquisite Mix)."
Imagine that Paul Stanley fronted the best garage band on Mars and you
have a little hint of the fun that is Blanche Davidian. The comp is rounded
out by "Come on Feel It" by Destruction Unit, a band that has obviously
spent some time listening to the Tubes. Tales from the Asphalt Dancefloor
is also available as a very sharp looking 12" vinyl picture disc. Find
links to each band at www.vodkatonicmedia.com
ROBERT KEENAN - Cornertracks
Belljar
Keenan is a true solo artist and he plays
all of the instruments on Cornertracks. He seems to be infatuated with
late '60s/early '70s sounds, especially those made by the Beatles, which
leaves any description of his music wide open. But the emphasis here is
more on the melodic than the psychedelic or experimental. The disc opens
with the very Beatlesesque "I Think about You" before moving into another
Fab Four-like number where Keenan purposely bends his voice to sound like
Paul McCartney. "Industrial Cowboy/Judy" is more contemporary though somewhat
of an oddity. Most of the song is a loping, twangy instrumental that eventually
does a slow fade-out followed by a few seconds of silence before Keenan
sings the "Judy" part; exactly two lines long. Keenan has a voice that
absolutely conveys benignity but the ideas presented here are full of quirks---some
delightful and some just weird. Definitely an acquired taste; take a bite
at: www.myspace.com/robertkeenan
LUCA - Sick of Love
Funzalo
Luca is not exactly a household name outside
of Tucson but the band and their namesake are well known in the musical
community. Luca the group is comprised of drummer Paul Ellis, bass man
Chris Giambelluca and singer/guitarist Nick Luca who as a musician or engineer
has worked with the likes of Calexico, Iron & Wine, Evan Dando, Giant
Sand, Devotchka, M. Ward and Richard Buckner. "Love Me Too" finds the band
channeling a left coast sound not unlike something Jackson Browne might
have done in his early days. "Loosin' Ground" is a slice of spooky funk
laden with reverb and assorted screeching guitars courtesy of guest players
Howe Gelb and pedal steel master Jon Rauhouse. Calexico's John Convertino
shakes a mean maraca on the cut too, the only song here not penned by Nick.
"If Love" is a hopeful love song with lots of laid back vocal harmonies
and a couple of bursts of tasteful slide guitar from Tony Furtado. Gram
Parsons used to call this kind of music "cosmic American" and fans of the
late musician will find a kindred spirit in Luca. www.nickluca.com
BROKEN POETS - Optimism in E Minor
Wordvendor
One listen to "Say You Don't Love Me" and
you'll be shaking your head, wondering why this band has not broken onto
the national scene in a big way. The cut has a big, cinematic sound, a
sense of urgency and a heavy dose of barely restrained emotion; all the
things you'd expect from a break-up song. But the song's ace in the hole
is the performance put on by singer Tim McDonald, a stunning vocalist with
a command that rivals that of big shot Eddie Vedder. The subject matter
here is familiar---lots of songs about missed opportunities and the desire
to, damn it, learn from those mistakes. But McDonald doesn't write songs
to bitch and like the album title indicates, there is an underlying hopefulness
that permeates this work that is distinctly audible. Broken Poets don't
sound like clones of any of these artists, but fans who appreciate the
well-written and perfectly sung works of acts like Pearl Jam, R.E.M. and
Bruce Springsteen owe it to themselves to seek this one out. www.brokenpoets.com
TRYFECTA
(Self Released)
This is just a short 3-song taster from
Tryfecta, an up-and-coming trio that blew away the competition in the local
rounds of the Emergenza International Music Festival. And I do mean blew
away---these guys are not subtle---crunching bass, stinging guitar and
urgent vocals are the order of the day. But don't expect the sonic soup
to boil over; the bombast is left at the door in favor of vocal hooks and
quirky melodies that recall the work of Primus without the goofiness. Listen
to "Perfect Picture," "Old School" and "Sanctuary" at www.tryfecta.net
FRACTURE POINT - Dysfunctional Sound
These heavy metal monsters have only been
around a couple of years but their sound has gelled nicely, gaining them
airplay on KUPD's Into the Pit radio program. And everything a pit
dog would love is here: drumming at the speed of light, slammin' bass runs
and plenty of loud guitar. Of course threatening sounding vocals that are
screamed, growled and gargled are a big part of the show. Three shredders
on this sampler; you can find them all and more at www.myspace.com/fracturepoint
CASKET LIFE - The Good Times are
Killing Me
Stomping Ground
Before you ever start this one spinning
you have to award the band a prize for coolest song titles---who could
resist ditties named "Being a Ninja Means Never Having to Say You're Sorry,"
"You'll Try Anything When You're Dying Alone" or my personal favorite,
"Heavy Metal Vomit Party." Yeah, you just know these guys are going to
bring it! And that they do, after a psychobilly instrumental (simply titled
"Intro") starts the party. From there on out its fast and thrashin' punk
rock, well written and well played. One of the most fun songs on the album
is about boozin' and pill-poppin' but it's called "The Metal In My Teeth
Makes Me 5% Robot." The song takes a brief detour in style at its conclusion---if
you're real clever you'll know that that's the 5% of the song that belongs
to the robot. All 12 songs blow by in about half an hour so get on this
while you've got a chance! www.casketlife.com
tell
a friend about this review
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