The album seems to strive for a very unusual mix of folk rock and vaudeville. While the songwriting is absolutely superb, with seemingly endless catchy, yet comfortable melodies, the album falters while trying to find an identity. Apart from the overly cliché sounds of an orchestra warming up at the beginning of the album, several songs seem to take a sudden, drastic style change, leaving the listener wondering if multiple rough cuts of the song were spliced together in a deadline rush.

A few songs, however, are pure bliss. "Don't" and "All That I Can Do" especially stand out as examples of the ingenious songwriting, thankfully untouched by the troubles that seem to haunt a few other songs. Scott's melodies seem to have a rare knack for being extremely enjoyable, nearly impossible to dislike, yet at the same time don't stay stuck in your head for hours on end; a thoroughly pleasing combination.