The Mars Volta
- Frances The Mute
by Mark Hensch
Five Star: A look at albums
that are so good that they impress even the most cynical of critics. Very
few albums are superior enough to obtain a five star rating but occasionally
a band slips through the river of mediocrity that is the modern music industry
and they produce an album that restores our faith in the future of rock!
This series is a look at such albums.
Once upon a time, a great sense of conformity
befell a community of people who despite many differences shared a common
bond in the interest of music. This sense cursed most of the community,
sickening them with a fathomless cynicism so far reaching that there was
no cure. So spoke the victims of this hellish condition "There is no music
that is boundless or free; we are doomed to a lifetime of repetition and
trend-following musical arts that bore and exhaust us." Some of these unfortunates
even dared to say "this curse is so great; soon we will lose all interest
in music itself!" Those lucky enough to not be burdened with the plague
of musical boredom looked far and wide for a cure; it took a while, but
eventually it was found. It was the serum known as The Mars Volta.
I went a bit biblical with the intro to
this review as to many ignorant people who I have heard speak about my
single greatest life passion, music, that music is never again going to
be interesting, innovative, or exciting. It really is that serious. But
it needn't be ever again. I've always been a fan of bands that push boundaries
be they in any genre (I've spent the last week divulging in The Mars Volta,
Meshuggah, and Enslaved, a pretty odd crowd) and I always tell those cynical
music fans out there that with a little looking, you can find almost anything
appealing and fresh at the same time. After hearing the follow-up to the
genre-bending conglomerate that was The Mars Volta's debut, De-Loused
in the Comatorium, I can safely say without any doubt that a person
hearing this album can never mock music's eternal soul ever again.
Call me a fanatic, but music has a quality
to it that should inspire fervent worship in it's amazing power to do just
about anything. Rock has torn down Iron Curtains, scared entire societies
of "free-minded people" (thus exposing their very hypocrisies) and done
the greatest thing of all, change human minds to think in a different light.
On Frances the Mute, the Mars Volta
take every known (or maybe even unknown) musical genre, perfect it, and
than mix it without effort into a concoction that is cohesive yet barely
contained. To make things even more mind-blowing, the Mars Volta wrap this
insane musical style around a concept album, a sort of surrealist parody
of the life events of former programmer/keyboardist Jeremy Ward, who died
shortly after the band's first release. Ward had once found an odd diary
that detailed an unnamed person's life, and strangely it was very similar
to his own; both were adopted and never knew their real parents. On Frances,
the TMV crafts what is in my mind a space-rock opera, an intergalactic
ghost story within a ghost story. A lost soul's memory is found by a man,
and the man's soul is channeled by the people who
loved him, fueling their lives through their loss.
Something is definitely possessing the
TMV on this album for sure. "Cygnus....Vismund Cygnus" introduces the story's
protagonist (with an amusing Bond reference) and some spacey folk rock.
What explodes next is a trippy funk beast with dripping guitar solos and
fiery bass lines. The 13 minute tune also eclipses an amazing lo-fi guitar
jam, ambient washes of peaceful bliss for frontman Cedric Bixler Zavala's
vocals, and even a growing string arrangement with violins.
"The Widow" is a morose ballad for the
Internet Age, and again Omar A. Rodriguez-Lopez's spacey guitaring totally
blows some neurons. "L'Via l'Viaquez" is the height of the power of a confident
Mars Volta. On this 12 and a half minute freak-out there are innumerable
arena rock solos, bilingual (Spanish-English) vocals, and (I kid you not)
keyboard laden salsa breakdowns.
"L'via" is easily one of the best songs
I have heard in the last six months, and maybe ever. "Miranda, that Ghost
Just Isn't Holy Anymore" is another 13+ minute opus that starts with minimal
samples and soon leads a sinister and brooding song that will drop some
jaws. It's as if the spacey rock of previous TMV efforts channeled the
lifeform of E.T. and now it's transformed into the acid-spewing Alien,
hunting marines in a dark spaceship lost in the stars. The half hour epitome
of genius is "Cassandra Gemini", which encompasses (among too many things
to list) a sneering set of vocals from Zavala, voice box effects, jazzy
flutes and noir guitar work, and a favorite of mine that I will describe
as a piano being pushed down the stairs with an ambient guitar into the
umbra reaches of a black hole. Let's not also forget enough crazy brass
section solos to make Mr. Bungle crap their pants.
In conclusion, this is what happens when
a group of people decide to do whatever they damn well please, even if
it is pushing a piano into outer space with electronic salsa grooves in
the background. The TMV has created a genre so ahead of its time (and I
honestly believe this album has that much "classic" potential) that it
is literally impossible to define it in current titles or phrases. Let
me be the first to coin a new genre then, and I shall christen the sound
"Cerebal Spectre Rock." Like a ghost haunting one's brainstem, the Mars
Volta will make you think, feel, and most importantly, wonder if this is
the boundary that no one else can surpass. Let's just say I can't wait
till Frances The Mute is no longer the ghost of TMV present and
rather the ghost of TMV past; clearly whatever is coming next will blow
all of our minds.
More Info
The Mars
Volta - Frances The Mute
Rating:
(should be 6 stars)
Track Listing:
1. Cygnus...Vismund Cygnus
a) Sacrophagi
b) Umbilical
Syllables
c) Facilis
Descenus Averni
d) Con Safo
2. The Widow
3. L'via L'Viaquez
4. Miranda That Ghost Just Ain't Holy
Anymore
a) Vade Mecum
b) Pour Another
Icepick
c) Pisacis
(Phra-Men-Ma)
d) Con Safo
5. Cassandra Geminni
a) Tarantism
b) Plant a
Nail in the Navel Stream
c) Famine
Pulse
d) Multiple
Spouse Wounds
e) Sarcophagi
author's note: Many of the Frances tunes
include "sub-chapters" to each song. The sub-chapters have been listed
for your reading pleasure.
Visit
the band's homepage to learn more
Listen
to samples and Purchase this CD online
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